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Subject: Re: [kl] great news
Subject: Re: [kl] great news
Subject: Re: [kl] great news
Subject: [kl] Commissioning Project
Subject: [kl] Hindemith Clarinet Sonata
Subject: [kl] community band update
Subject: Re: [kl] Status update on my son
Subject: [kl] bass clarinet
Subject: Re: [kl] Status update on my son
Subject: Re: [kl] bass clarinet
Subject: Re: [kl] bass clarinet
Subject: Re: [kl] bass clarinet
Subject: Re: [kl] bass clarinet
Subject: Re: [kl] bass clarinet
Subject: Re: [kl] bass clarinet
Subject: [kl] Lorin Levee passed away today
Subject: Re: [kl] Lorin Levee passed away today
Subject: [kl] Been awhile since I've posted...
Subject: Re: [kl] bass clarinet
Subject: Re: [kl] Been awhile since I've posted...
Subject: Re: [kl] Been awhile since I've posted...
Subject: [kl] Upcoming Concert
Subject: Re: [kl] Been awhile since I've posted...
Subject: Re: [kl] Been awhile since I've posted...
Subject: Re: [kl] Been awhile since I've posted...
Subject: Re: [kl] Status update on my son
Subject: Re: [kl] Status update on my son
Subject: Re: [kl] =?iso-8859-1?q?Status_update_on_my_son?=
Subject: Re: [kl] Status update on my son
Subject: Re: [kl] Status update on my son
Subject: Re: [kl] Status update on my son
Subject: [kl] 1999 recoredings
Subject: [kl] George Dazeley
Subject: Re: [kl] George Dazeley
Subject: Re: [kl] George Dazeley
Subject: Re: [kl] George Dazeley
Subject: [kl] Harold Wright Memorial Clarinet Merit Award Competition THIS
Subject: Re: [kl] George Dazeley
Subject: [kl] IWWF 2012: Featuring Fuchs, Cohler, Montilla & Doggett
Subject: Re: [kl] George Dazeley
Subject: [kl] The American Chamber Ensemble in Concert on March 4 at Hofstra
Subject: [kl] Survey on clarinet vibrato.
Subject: Re: [kl] George Dazeley
Subject: Re: [kl] George Dazeley
Subject: [kl] Rumba Thumb support
Subject: Re: [kl] Rumba Thumb support
Subject: Re: [kl] Status update on my son
Subject: [kl] Vol 25, Issue 2 Set it on your Leg
Subject: Re: [kl] Status update on my son

[Table of Contents ] [ Next ]


Subject: Re: [kl] great news
From:    "Melissa Cranis" <mcranis@-----.net>
Date:    Sat, 18 Feb 2012 19:33:47 -0500

Would some of you mind sharing your thoughts about the Buffet R-13 clarinet.
Is there a year that the clarinet was made that is better than any other
year?  Any year the clarinet was made that was not so great?

Thank you,

Melissa

----- Original Message -----
From: <richard.smith7@-----.com>
To: "The Klarinet Mailing List" <klarinet@-----.com>
Sent: Thursday, February 16, 2012 7:58 PM
Subject: Re: [kl] great news

>
> Sent on the TELUS Mobility network with BlackBerry
>
> -----Original Message-----
> From: Mark Charette <charette@-----.org>
> Date: Thu, 16 Feb 2012 17:16:30
> To: The Klarinet Mailing List<klarinet@-----.com>
> Reply-To: The Klarinet Mailing List <klarinet@-----.com>
> Subject: Re: [kl] great news
>
> The email subject "Great news" is a very common one in the annals of spam,
> Trojans, spyware, viruses and other malicious email payloads. If something
> with an attachment comes by with a subject of "Great news" it goes
> immediately into the bit-bucket - if my anti-malware software doesn't shit
> can it first.
>
> I made the assumption that you wouldn't send an an email with the subject
> "Great news" and only an attachment - I assumed that your email had been
> compromised or that it was a forgery.
>
> Mark C.
>
> On Feb 16, 2012, at 4:53 PM, rgilbertRGP@-----.net wrote:
>
>> Mark,
>> What do you mean by not "legit"?
>> Richard Gilbert
>>
>> ----- Original Message -----
>> From: Mark Charette <charette@-----.org>
>> To: The Klarinet Mailing List <klarinet@-----.com>
>> Sent: Thu, 16 Feb 2012 20:58:48 -0000 (UTC)
>> Subject: Re: [kl] great news
>>
>> And the chances of that being a legit attachment from Mr. Gilbert are
>> slim
>> to none ...
>>
>>
>> On February 16, 2012 at 2:40 PM bhausmann1@-----.net wrote:
>>
>>> All attachments are stripped from klarinet posts to prevent malware
>> intrusions. Plain text only gets through.
>>>
>>> Bill Hausmann
>>>
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
>
> -----
> No virus found in this message.
> Checked by AVG - www.avg.com
> Version: 2012.0.1913 / Virus Database: 2112/4817 - Release Date: 02/18/12
>

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Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] great news
From:    Joshua Stein <jstein53@-----.net>
Date:    Sat, 18 Feb 2012 19:38:48 -0500

Melissa, try between 1960-1980.  You might come across a good R-13 clarinet.

Josh

-----Original Message-----
From: Melissa Cranis [mailto:mcranis@-----.net]
Sent: Saturday, February 18, 2012 7:34 PM
To: The Klarinet Mailing List
Subject: Re: [kl] great news

Would some of you mind sharing your thoughts about the Buffet R-13 clarinet.

Is there a year that the clarinet was made that is better than any other
year?  Any year the clarinet was made that was not so great?

Thank you,

Melissa

----- Original Message -----
From: <richard.smith7@-----.com>
To: "The Klarinet Mailing List" <klarinet@-----.com>
Sent: Thursday, February 16, 2012 7:58 PM
Subject: Re: [kl] great news

>
> Sent on the TELUS Mobility network with BlackBerry
>
> -----Original Message-----
> From: Mark Charette <charette@-----.org>
> Date: Thu, 16 Feb 2012 17:16:30
> To: The Klarinet Mailing List<klarinet@-----.com>
> Reply-To: The Klarinet Mailing List <klarinet@-----.com>
> Subject: Re: [kl] great news
>
> The email subject "Great news" is a very common one in the annals of spam,

> Trojans, spyware, viruses and other malicious email payloads. If something

> with an attachment comes by with a subject of "Great news" it goes
> immediately into the bit-bucket - if my anti-malware software doesn't shit

> can it first.
>
> I made the assumption that you wouldn't send an an email with the subject
> "Great news" and only an attachment - I assumed that your email had been
> compromised or that it was a forgery.
>
> Mark C.
>
> On Feb 16, 2012, at 4:53 PM, rgilbertRGP@-----.net wrote:
>
>> Mark,
>> What do you mean by not "legit"?
>> Richard Gilbert
>>
>> ----- Original Message -----
>> From: Mark Charette <charette@-----.org>
>> To: The Klarinet Mailing List <klarinet@-----.com>
>> Sent: Thu, 16 Feb 2012 20:58:48 -0000 (UTC)
>> Subject: Re: [kl] great news
>>
>> And the chances of that being a legit attachment from Mr. Gilbert are
>> slim
>> to none ...
>>
>>
>> On February 16, 2012 at 2:40 PM bhausmann1@-----.net wrote:
>>
>>> All attachments are stripped from klarinet posts to prevent malware
>> intrusions. Plain text only gets through.
>>>
>>> Bill Hausmann
>>>
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
>
> -----
> No virus found in this message.
> Checked by AVG - www.avg.com
> Version: 2012.0.1913 / Virus Database: 2112/4817 - Release Date: 02/18/12
>

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com

_______________________________________________
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To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] great news
From:    "Melissa Cranis" <mcranis@-----.net>
Date:    Sat, 18 Feb 2012 19:45:04 -0500

Any idea where to look?

----- Original Message -----
From: "Joshua Stein" <jstein53@-----.net>
To: "'The Klarinet Mailing List'" <klarinet@-----.com>
Sent: Saturday, February 18, 2012 7:38 PM
Subject: Re: [kl] great news

> Melissa, try between 1960-1980.  You might come across a good R-13
> clarinet.
>
> Josh
>
> -----Original Message-----
> From: Melissa Cranis [mailto:mcranis@-----.net]
> Sent: Saturday, February 18, 2012 7:34 PM
> To: The Klarinet Mailing List
> Subject: Re: [kl] great news
>
> Would some of you mind sharing your thoughts about the Buffet R-13
> clarinet.
>
> Is there a year that the clarinet was made that is better than any other
> year?  Any year the clarinet was made that was not so great?
>
> Thank you,
>
> Melissa
>
> ----- Original Message -----
> From: <richard.smith7@-----.com>
> To: "The Klarinet Mailing List" <klarinet@-----.com>
> Sent: Thursday, February 16, 2012 7:58 PM
> Subject: Re: [kl] great news
>
>
>>
>> Sent on the TELUS Mobility network with BlackBerry
>>
>> -----Original Message-----
>> From: Mark Charette <charette@-----.org>
>> Date: Thu, 16 Feb 2012 17:16:30
>> To: The Klarinet Mailing List<klarinet@-----.com>
>> Reply-To: The Klarinet Mailing List <klarinet@-----.com>
>> Subject: Re: [kl] great news
>>
>> The email subject "Great news" is a very common one in the annals of
>> spam,
>
>> Trojans, spyware, viruses and other malicious email payloads. If
>> something
>
>> with an attachment comes by with a subject of "Great news" it goes
>> immediately into the bit-bucket - if my anti-malware software doesn't
>> shit
>
>> can it first.
>>
>> I made the assumption that you wouldn't send an an email with the subject
>> "Great news" and only an attachment - I assumed that your email had been
>> compromised or that it was a forgery.
>>
>> Mark C.
>>
>> On Feb 16, 2012, at 4:53 PM, rgilbertRGP@-----.net wrote:
>>
>>> Mark,
>>> What do you mean by not "legit"?
>>> Richard Gilbert
>>>
>>> ----- Original Message -----
>>> From: Mark Charette <charette@-----.org>
>>> To: The Klarinet Mailing List <klarinet@-----.com>
>>> Sent: Thu, 16 Feb 2012 20:58:48 -0000 (UTC)
>>> Subject: Re: [kl] great news
>>>
>>> And the chances of that being a legit attachment from Mr. Gilbert are
>>> slim
>>> to none ...
>>>
>>>
>>> On February 16, 2012 at 2:40 PM bhausmann1@-----.net wrote:
>>>
>>>> All attachments are stripped from klarinet posts to prevent malware
>>> intrusions. Plain text only gets through.
>>>>
>>>> Bill Hausmann
>>>>
>>> _______________________________________________
>>> Klarinet mailing list
>>> Klarinet@-----.com
>>> To do darn near anything to your subscription, go to:
>>> http://klarinet-list.serve-music.com
>>> _______________________________________________
>>> Klarinet mailing list
>>> Klarinet@-----.com
>>> To do darn near anything to your subscription, go to:
>>> http://klarinet-list.serve-music.com
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
>>
>>
>> -----
>> No virus found in this message.
>> Checked by AVG - www.avg.com
>> Version: 2012.0.1913 / Virus Database: 2112/4817 - Release Date: 02/18/12
>>
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
>
> -----
> No virus found in this message.
> Checked by AVG - www.avg.com
> Version: 2012.0.1913 / Virus Database: 2112/4817 - Release Date: 02/18/12
>

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


[Table of Contents ] [ Prev ] [ Next ]


Subject: [kl] Commissioning Project
From:    Sean Osborn <feanor33@-----.net>
Date:    Mon, 20 Feb 2012 16:28:41 -0500

Dear List,

I would like you to know about a special commissioning project I am
embarking upon.  Imagine recieving, or giving to your favorite
clarinet-loving person, a unique piece written just for them.
Combinations of 1-4 clarinets and/or 1 piano are available.  You will
receive score, parts, and recording for a fee of $100 per minute of music.

Details at http://www.osbornmusic.com/commission.html

Cheers,

Sean Osborn
www.osbornmusic.com

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: [kl] Hindemith Clarinet Sonata
From:    Web Clarinetlessons <webclarinetlessons@-----.com>
Date:    Mon, 20 Feb 2012 18:29:21 -0500

Hello everyone

Below links are my merry musings on the Hindemith Sonata

http://youtu.be/aa84Ua7uL1s

http://youtu.be/rkBP4rTzDLQ

http://youtu.be/XLgdMpaa8QI

http://youtu.be/n6RZGPB9DW0

Thanks, Kathy
_______________________________________________
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To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: [kl] community band update
From:    Jhzkr@-----.com
Date:    Mon, 20 Feb 2012 18:46:26 -0500

Thanks everyone for the great conversations.  Regarding the band's CD
(Repasz); fees paid, lawyers involved, everything's legit.  And they will  be
collecting donations at the spring concert.

Also, congrats on your son, Mark!
And Dan's comments will definitely be missed!!

Judy Christie
_______________________________________________
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To do darn near anything to your subscription, go to:
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Subject: Re: [kl] Status update on my son
From:    Jennifer Jones <helen.jennifer@-----.com>
Date:    Tue, 21 Feb 2012 23:48:20 -0500

Very proud.

On Sun, Feb 12, 2012 at 3:50 PM, Mark Charette <charette@-----.org>wrote:

> As some of you old-timers know, I got involved with this list by asking a
> few questions to help my son out when he was in middle school, some few
> years back (like the end of 1995 ... I have no idea where the time went!)
>
> In that intervening time he went to Interlochen for clarinet, got his
> Bachelors degree in clarinet performance at Cleveland Institute for Music,
> moved to Japan to teach & perform, got interested in conducting, got his
> Masters degree at the Tokyo Gedai in conducting, and decided to pursue
> conducting as a career. He's been working his way along, working with and
> conducting various regional orchestras and opera companies, and is
> principal conductor of one of these, the Edogawa Orchestra in Tokyo.
>
> This coming week is his first big-time conducting gig. He'll be conducting
> the Tokyo Philharmonic on a regional tour in Shizuoka, Japan on
> Tuesday-Thursday of this coming week. He's worked hard, and I'm pretty
> proud of him.
>
> Now, back to our regularly scheduled program.
>
> Mark Charette
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: [kl] bass clarinet
From:    James Sclater <sclater@-----.edu>
Date:    Wed, 22 Feb 2012 09:29:38 -0500

Has anyone had any experience with Ridenour bass clarinets? Am considering
purchasing one to use occasionally in a professional situation. I know his
soprano instrument are quite fine but know nothing about the "harmony"
instruments.

Jim Sclater

--
James S. Sclater
Professor of Music, Retired
Mississippi College
601-925-3445

______________________________________
CONFIDENTIALITY NOTE:  This communication may contain confidential information.
If you are not the intended recipient or if you are not authorized to receive it, please
notify and return the message to the sender.   Unauthorized reviewing, forwarding,
copying, distributing or using this information is strictly prohibited.
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


[Table of Contents ] [ Prev ] [ Next ]


Subject: Re: [kl] Status update on my son
From:    John Smith <jacksmith7@-----.net>
Date:    Wed, 22 Feb 2012 10:21:19 -0500

Where is the thing which one clicks "Like."
On Feb 21, 2012, at 11:48 PM, Jennifer Jones wrote:

> Very proud.
>
> On Sun, Feb 12, 2012 at 3:50 PM, Mark Charette <charette@-----.org>wrote:
>
>> As some of you old-timers know, I got involved with this list by asking a
>> few questions to help my son out when he was in middle school, some few
>> years back (like the end of 1995 ... I have no idea where the time went!)
>>
>> In that intervening time he went to Interlochen for clarinet, got his
>> Bachelors degree in clarinet performance at Cleveland Institute for Music,
>> moved to Japan to teach & perform, got interested in conducting, got his
>> Masters degree at the Tokyo Gedai in conducting, and decided to pursue
>> conducting as a career. He's been working his way along, working with and
>> conducting various regional orchestras and opera companies, and is
>> principal conductor of one of these, the Edogawa Orchestra in Tokyo.
>>
>> This coming week is his first big-time conducting gig. He'll be conducting
>> the Tokyo Philharmonic on a regional tour in Shizuoka, Japan on
>> Tuesday-Thursday of this coming week. He's worked hard, and I'm pretty
>> proud of him.
>>
>> Now, back to our regularly scheduled program.
>>
>> Mark Charette
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
>>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] bass clarinet
From:    "Shertzer, Howard (shertzhg)" <SHERTZHG@-----.EDU>
Date:    Wed, 22 Feb 2012 12:05:29 -0500

I have an Eb Ridenour and Play with someone with a low C Ridenour, and another with a Eb Harmony.
First of all, the intonation is great, in all kinds of weather (temperature and humidity).
I also have a Buffet 1193, which is truly a professional instrument.
I do not consider the Ridenour or Harmony professional level for a professional orchestra or band, but fine for blues or jazz band.
I only use mine now for outdoor concerts.

Howard

-----Original Message-----
From: James Sclater [mailto:sclater@-----.edu]
Sent: Wednesday, February 22, 2012 9:30 AM
To: Klarinet@-----.com
Subject: [kl] bass clarinet

Has anyone had any experience with Ridenour bass clarinets? Am considering
purchasing one to use occasionally in a professional situation. I know his
soprano instrument are quite fine but know nothing about the "harmony"
instruments.

Jim Sclater

--
James S. Sclater
Professor of Music, Retired
Mississippi College
601-925-3445

______________________________________
CONFIDENTIALITY NOTE:  This communication may contain confidential information.
If you are not the intended recipient or if you are not authorized to receive it, please
notify and return the message to the sender.   Unauthorized reviewing, forwarding,
copying, distributing or using this information is strictly prohibited.
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] bass clarinet
From:    "Bobby McClellan" <bobbymacmcclellan@-----.net>
Date:    Wed, 22 Feb 2012 12:17:40 -0500

Mr. Sclater,

I will guess that you should expect to get reviews from one end of the
spectrum to the other.  They will be complete hatred to people who adore the
Ridenour Bass Clarinet.  I will say it is a horn that was designed by tom
but he does have them manufactured in China.  He goes through them before
they ship.  He does have a very gernerous trial period if you chose to order
one.  People do had a tendency to downgrade all horns from china without
ever tying one some have tried other basses made in china and hate them.  I
have a friend that has some other brand china horn and it was absolutely
atrocious, dang near every key would bend if you even looked at the horn
funny. If you are planning on occasional use I think it is worth a try.
I personally do not own his Bass clarinet.  I do however own his BBb
Contra and his EEb contra prototype horns as well as his Basset A clarinet.
I have had no problems with any of them.  If you would like to see the
construction of some of his harmony clarinets give me a call I am local to
you living in flowood and can come out to MC and let you see the ones that I
have if you want to look at the quality of the horns.

Bobby McClellam
Flowood, MS

-----Original Message-----
From: James Sclater [mailto:sclater@-----.edu]
Sent: Wednesday, February 22, 2012 8:30 AM
To: Klarinet@-----.com
Subject: [kl] bass clarinet

Has anyone had any experience with Ridenour bass clarinets? Am considering
purchasing one to use occasionally in a professional situation. I know his
soprano instrument are quite fine but know nothing about the "harmony"
instruments.

Jim Sclater

--
James S. Sclater
Professor of Music, Retired
Mississippi College
601-925-3445

______________________________________
CONFIDENTIALITY NOTE:  This communication may contain confidential
information.
If you are not the intended recipient or if you are not authorized to
receive it, please
notify and return the message to the sender.   Unauthorized reviewing,
forwarding,
copying, distributing or using this information is strictly prohibited.
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] bass clarinet
From:    fred jacobowitz <fbjacobo@-----.us>
Date:    Wed, 22 Feb 2012 16:13:17 -0500

Jim,
I don't know if you have your heart set on a new horn, but maybe I
can interest you in my older one. It's a Leblanc to Low C. It is in
beautiful condition, plays great and is nicely in tune - it's just
not a Prestige. The price is right, however: $3K. If you are looking
for a quality instrument to play 'occasionally', it could be the
right instrument for you.

Fred Jacobowitz

CASE CLOSED Musical Instrument Case Repair Service
Kol Haruach Klezmer Band
Ebony and Ivory Duo

You don't get harmony when everybody sings the same note.
~Doug Floyd

On Feb 22, 2012, at 9:29 AM, James Sclater wrote:

Has anyone had any experience with Ridenour bass clarinets? Am
considering
purchasing one to use occasionally in a professional situation. I
know his
soprano instrument are quite fine but know nothing about the "harmony"
instruments.

Jim Sclater

--
James S. Sclater
Professor of Music, Retired
Mississippi College
601-925-3445

______________________________________
CONFIDENTIALITY NOTE:  This communication may contain confidential
information.
If you are not the intended recipient or if you are not authorized to
receive it, please
notify and return the message to the sender.   Unauthorized
reviewing, forwarding,
copying, distributing or using this information is strictly prohibited.
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com

_______________________________________________
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Subject: Re: [kl] bass clarinet
From:    bobbymacmcclellan@-----.net
Date:    Wed, 22 Feb 2012 17:14:06 -0500

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Subject: Re: [kl] bass clarinet
From:    fred jacobowitz <fbjacobo@-----.us>
Date:    Wed, 22 Feb 2012 22:41:31 -0500

It's never too late!  ;-)  If you know of anyone who is in the
market, send them my way.

Fred Jacobowitz

CASE CLOSED Musical Instrument Case Repair Service
Kol Haruach Klezmer Band
Ebony and Ivory Duo

You don't get harmony when everybody sings the same note.
~Doug Floyd

On Feb 22, 2012, at 5:14 PM, bobbymacmcclellan@-----.net wrote:

Fred I wish I was in the market for a low C right now. that is a
great price.

Bobby

----- Original Message -----

From: "fred jacobowitz" <fbjacobo@-----.us>
To: "The Klarinet Mailing List" <klarinet@-----.com>
Sent: Wednesday, February 22, 2012 3:13:17 PM
Subject: Re: [kl] bass clarinet

Jim,
I don't know if you have your heart set on a new horn, but
maybe I
can interest you in my older one. It's a Leblanc to Low C. It is in
beautiful condition, plays great and is nicely in tune - it's just
not a Prestige. The price is right, however: $3K. If you are looking
for a quality instrument to play 'occasionally', it could be the
right instrument for you.

Fred Jacobowitz

CASE CLOSED Musical Instrument Case Repair Service
Kol Haruach Klezmer Band
Ebony and Ivory Duo

You don't get harmony when everybody sings the same note.
~Doug Floyd

On Feb 22, 2012, at 9:29 AM, James Sclater wrote:

Has anyone had any experience with Ridenour bass clarinets? Am
considering
purchasing one to use occasionally in a professional situation. I
know his
soprano instrument are quite fine but know nothing about the "harmony"
instruments.

Jim Sclater

--
James S. Sclater
Professor of Music, Retired
Mississippi College
601-925-3445

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information.
If you are not the intended recipient or if you are not authorized to
receive it, please
notify and return the message to the sender.   Unauthorized
reviewing, forwarding,
copying, distributing or using this information is strictly prohibited.
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Subject: Re: [kl] bass clarinet
From:    bobbymacmcclellan@-----.net
Date:    Wed, 22 Feb 2012 23:49:44 -0500

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Subject: [kl] Lorin Levee passed away today
From:    David Blumberg <blummy@-----.net>
Date:    Thu, 23 Feb 2012 04:12:19 -0500

I just got word from Michele Zukovsky that Lorin Levee passed away today. He had been in a coma.

May he rest in peace.

David Blumberg

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Subject: Re: [kl] Lorin Levee passed away today
From:    Eric Seddon <es.fritz.wurlitzer.1951@-----.com>
Date:    Thu, 23 Feb 2012 06:17:34 -0500

Thanks for letting us know, David.

RIP, Lorin Levee.

Eric Seddon

--
*Eric Seddon *
*Marlborough Man Music*
*http://marlboroughmanmusic.blogspot.com/*
**
*Wurlitzer Clarinets America*
*www.wurlitzerclarinetsamerica.com *
**

On Thu, Feb 23, 2012 at 4:12 AM, David Blumberg <blummy@-----.net> wrote:

> I just got word from Michele Zukovsky that Lorin Levee passed away today.
> He had been in a coma.
>
> May he rest in peace.
>
>
> David Blumberg
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
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Subject: [kl] Been awhile since I've posted...
From:    "Benjamin Maas" <benmaas@-----.com>
Date:    Fri, 24 Feb 2012 00:33:18 -0500

Hello all

I spend most of my time lurking on the list here because I'm honestly not
doing that much with the clarinet anymore.  Those that have been on the list
for a long time will probably remember me from way back.  These days, I'm
working full time doing audio and video recording for a lot of the better
ensembles around the LA area.

This is the reason why I'm posting- one of the groups I work with regularly
is a chamber presenter out of Santa Barbara called Camerata Pacifica.
They've got some great musicians that play for them and IMO, they are one of
the better chamber presenters in southern California.

Anyways, they presented the Beethoven Op. 11 trio on their last concert.  It
was very well played by Jos=E9 Franch-Ballester on clarinet, Ani Aznavoorian
on cello and Warren Jones on piano.  We recorded and shot one of the
concerts and it is now (as of today) up on youtube.

Here's the link: http://youtu.be/l1QU3rOR4ek  The performance is first-rate.
Please enjoy.  There are a number of other really first-rate performances on
their youtube page as well.  =

--Ben

Benjamin Maas
Fifth Circle Audio
Long Beach, CA

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Subject: Re: [kl] bass clarinet
From:    Nitai Levi <clarnibass@-----.com>
Date:    Fri, 24 Feb 2012 01:47:57 -0500

On the same subject, does anyone know what differences there are between th=
e Ridenour Chinese bass clarinet and other Chinese bass clarinets made rece=
ntly, let's say in the last couple of years=A0(not older ones)? I've tried =
many in the last few years but not a Ridenour and curious in what ways it i=
s different. I mean things like the bore, tone hole size/location, key and =
screw=A0material, design of screws or linkages, etc. and not things like go=
ing over to tighten keys, make sure no leaks, change bumper materials, type=
of pads, etc.
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Subject: Re: [kl] Been awhile since I've posted...
From:    patten51@-----.com
Date:    Fri, 24 Feb 2012 06:19:31 -0500

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Cg==


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Subject: Re: [kl] Been awhile since I've posted...
From:    dgilbert <dgilbert@-----.com>
Date:    Fri, 24 Feb 2012 11:56:46 -0500

Ben,

Just a thank you for all the spot on informative posts you contributed  =

"way back when". I certainly looked forward to your clear,  =

professional, recording advice.

Regards,

Dave G.

On Feb 24, 2012, at 12:33 AM, Benjamin Maas wrote:

> Hello all
>
> I spend most of my time lurking on the list here because I'm  =

> honestly not
> doing that much with the clarinet anymore.  Those that have been on  =

> the list
> for a long time will probably remember me from way back.  These  =

> days, I'm
> working full time doing audio and video recording for a lot of the  =

> better
> ensembles around the LA area.
>
> This is the reason why I'm posting- one of the groups I work with  =

> regularly
> is a chamber presenter out of Santa Barbara called Camerata Pacifica.
> They've got some great musicians that play for them and IMO, they  =

> are one of
> the better chamber presenters in southern California.
>
> Anyways, they presented the Beethoven Op. 11 trio on their last  =

> concert.  It
> was very well played by Jos=E9 Franch-Ballester on clarinet, Ani  =

> Aznavoorian
> on cello and Warren Jones on piano.  We recorded and shot one of the
> concerts and it is now (as of today) up on youtube.
>
> Here's the link: http://youtu.be/l1QU3rOR4ek  The performance is  =

> first-rate.
> Please enjoy.  There are a number of other really first-rate  =

> performances on
> their youtube page as well.
>
> --Ben
>
> Benjamin Maas
> Fifth Circle Audio
> Long Beach, CA
>
>
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: [kl] Upcoming Concert
From:    fred jacobowitz <fbjacobo@-----.us>
Date:    Fri, 24 Feb 2012 13:32:20 -0500

Hi to all. For anyone in the Raleigh-Durham (North Carolina) area, I
will be participating in a concert of chamber music by Bill Robinson
on Tuesday night (Feb. 28) at 8 PM in Duke University's Nelson Music
Room. I will be playing both his excellent Clarinet Trio and a world
premiere of the Sextet for A Clarinet and Strings. He's really a high
quality composer. If you go to his website, you'll find out that he's
a bit of an eccentric too. (OK, maybe a little more than a bit - but
still a great composer.) www.billrobinsonmusic.com Hope to see you
there...

Fred Jacobowitz

CASE CLOSED Musical Instrument Case Repair Service
Kol Haruach Klezmer Band
Ebony and Ivory Duo

You don't get harmony when everybody sings the same note.
~Doug Floyd

_______________________________________________
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Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] Been awhile since I've posted...
From:    Oliver Seely <oseely@-----.com>
Date:    Fri, 24 Feb 2012 16:35:59 -0500


I loved every minute of it.  Thanks, Dave.  The theatrics are hard to avoid=
because the piece is so much fun to play.  I loved his timing of the grace=
notes (or turn, can't remember) in the second section of the first movemen=
t.  I just slur them all together.  Horrid really, but it is wonderful, isn=
't it that with music synthesis none of us needs to be a stranger to lovely=
pieces like this one.

Now for Ben at Fifth Circle Audio:

Some technical questions:  I counted four cameras, two in the balcony and t=
wo on ground level.  One on the ground level needed to have its lens cleane=
d, or so it seemed when that one was brought in.  How many were there?  I d=
idn't see any mikes above the players.  Where were they?  Wherever they wer=
e, the only disappointment I found was the almost inaudible pizzicato towar=
d the end of the third movement.  Wouldn't it have been great to hear that =
solo up close, like having a mike right next to a harp?  I assume that all =
editing was done post-production, right?

Okay, now my bottom line question because I have an upcoming concert (which=
I may still chicken out on).  How much would you charge for a recording se=
ssion like that (from the beginning to the creation of the master DVD)?

Thanks for the link, Dave.  It was most enjoyable.

Oliver

> From: dgilbert@-----.com
> To: klarinet@-----.com
> Date: Fri, 24 Feb 2012 11:56:46 -0500
> Subject: Re: [kl] Been awhile since I've posted...
> =

> Ben,
> =

> Just a thank you for all the spot on informative posts you contributed  =

> "way back when". I certainly looked forward to your clear,  =

> professional, recording advice.
> =

> Regards,
> =

> Dave G.
> =

> On Feb 24, 2012, at 12:33 AM, Benjamin Maas wrote:
> =

> > Hello all
> >
> > I spend most of my time lurking on the list here because I'm  =

> > honestly not
> > doing that much with the clarinet anymore.  Those that have been on  =

> > the list
> > for a long time will probably remember me from way back.  These  =

> > days, I'm
> > working full time doing audio and video recording for a lot of the  =

> > better
> > ensembles around the LA area.
> >
> > This is the reason why I'm posting- one of the groups I work with  =

> > regularly
> > is a chamber presenter out of Santa Barbara called Camerata Pacifica.
> > They've got some great musicians that play for them and IMO, they  =

> > are one of
> > the better chamber presenters in southern California.
> >
> > Anyways, they presented the Beethoven Op. 11 trio on their last  =

> > concert.  It
> > was very well played by Jos=E9 Franch-Ballester on clarinet, Ani  =

> > Aznavoorian
> > on cello and Warren Jones on piano.  We recorded and shot one of the
> > concerts and it is now (as of today) up on youtube.
> >
> > Here's the link: http://youtu.be/l1QU3rOR4ek  The performance is  =

> > first-rate.
> > Please enjoy.  There are a number of other really first-rate  =

> > performances on
> > their youtube page as well.
> >
> > --Ben
> >
> > Benjamin Maas
> > Fifth Circle Audio
> > Long Beach, CA
> >
> >
> >
> > _______________________________________________
> > Klarinet mailing list
> > Klarinet@-----.com
> > To do darn near anything to your subscription, go to:
> > http://klarinet-list.serve-music.com
> =

> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
=

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


[Table of Contents ] [ Prev ] [ Next ]


Subject: Re: [kl] Been awhile since I've posted...
From:    "Benjamin Maas" <benmaas@-----.com>
Date:    Fri, 24 Feb 2012 17:28:59 -0500

The theatrics were also somewhat because of the way that Camerata Pacifica
does their concerts.  What you don=92t see here is the short discussion bef=
ore
the piece talking about the theme and variations.  The theme was a pretty
popular tune from an opera that had some pretty mundane text to it.  People
listening to the piece back then almost certainly would have known the
context.  Serious music, it really isn=92t.

=

OK. The tech info:

=

Yes, 4 cameras, but not where you think.  One center capturing the front
ensemble shot at the back of the hall.  3 upstairs (2 on one side, 1 on the
other).  This is not the best camera work I=92ve ever done, but it is what =
it
is.  I decided to share, not because of my technical prowess, but because
the performance was just darned good. 2 cameras are owned by the ensemble,
and the other ones are owned by me.  The center camera is a little high-end
sony camcorder.  For consumer gear, it is quite good, but it still isn=92t a
pro camera.  The left side of the house is the ensemble=92s Canon XH-A1 HDV
camera.  The Right side is my Sony NX-5U and my Canon 7D DSLR.  Wasn=92t
planning on using the DSLR for the edit, but the footage was useful in a
couple places.  The ensemble shot from the right is the DSLR. Close ups are
from the =93real=94 cameras as they have the bigger zoom lenses. =

=

The reason why the center camera=92s image was slightly fuzzy is because th=
ere
was some digital zooming going on.  I didn=92t have any help for this and
running 4 cameras by ones self is tough (to put it mildy).  Hence a couple
short-cuts to compensate for a shot that may or may not have been there.  I
will sometimes do two camera work with both cameras sitting in the back
center of the house so that I can look at both cameras at the same time.
Makes a big difference, but in the case of Hahn Hall up in Santa Barbara,
the camera positions are difficult.  When budget allows, however, I do work
with some other folks to get the kind of coverage that is needed.

=

Recording was made using a pair of Neumann KM140 microphones that are
hanging in the hall going through a set of Lavry Microphone preamps and
converters.  The placement isn=92t perfect, but in this hall, moving mics is
nearly impossible.  You don=92t see the mics in the frame because I was able
to keep them out of the shot.  They are quite definitely there.   There are
also a pair of Schoeps omnis hanging in there as outriggers, but they
weren=92t used for this recording.  Barbara Hirsch did the recording, but I
mastered it and did a couple tweaks to it so that it would work better for
video that is streaming on a computer.

=

As for costs, I=92ll contact you off list.

=

--Ben =

=

Benjamin Maas

Fifth Circle Audio

Long Beach, CA

=

From: Oliver Seely [mailto:oseely@-----.com] =

Sent: Friday, February 24, 2012 1:36 PM
To: klarinet list; info@-----.com
Subject: RE: [kl] Been awhile since I've posted...

=

I loved every minute of it.  Thanks, Dave.  The theatrics are hard to avoid
because the piece is so much fun to play.  I loved his timing of the grace
notes (or turn, can't remember) in the second section of the first movement.
I just slur them all together.  Horrid really, but it is wonderful, isn't it
that with music synthesis none of us needs to be a stranger to lovely pieces
like this one.

Now for Ben at Fifth Circle Audio:

Some technical questions:  I counted four cameras, two in the balcony and
two on ground level.  One on the ground level needed to have its lens
cleaned, or so it seemed when that one was brought in.  How many were there?
I didn't see any mikes above the players.  Where were they?  Wherever they
were, the only disappointment I found was the almost inaudible pizzicato
toward the end of the third movement.  Wouldn't it have been great to hear
that solo up close, like having a mike right next to a harp?  I assume that
all editing was done post-production, right?

Okay, now my bottom line question because I have an upcoming concert (which
I may still chicken out on).  How much would you charge for a recording
session like that (from the beginning to the creation of the master DVD)?

Thanks for the link, Dave.  It was most enjoyable.

Oliver

> From: dgilbert@-----.com
> To: klarinet@-----.com
> Date: Fri, 24 Feb 2012 11:56:46 -0500
> Subject: Re: [kl] Been awhile since I've posted...
> =

> Ben,
> =

> Just a thank you for all the spot on informative posts you contributed =

> "way back when". I certainly looked forward to your clear, =

> professional, recording advice.
> =

> Regards,
> =

> Dave G.
> =

> On Feb 24, 2012, at 12:33 AM, Benjamin Maas wrote:
> =

> > Hello all
> >
> > I spend most of my time lurking on the list here because I'm =

> > honestly not
> > doing that much with the clarinet anymore. Those that have been on =

> > the list
> > for a long time will probably remember me from way back. These =

> > days, I'm
> > working full time doing audio and video recording for a lot of the =

> > better
> > ensembles around the LA area.
> >
> > This is the reason why I'm posting- one of the groups I work with =

> > regularly
> > is a chamber presenter out of Santa Barbara called Camerata Pacifica.
> > They've got some great musicians that play for them and IMO, they =

> > are one of
> > the better chamber presenters in southern California.
> >
> > Anyways, they presented the Beethoven Op. 11 trio on their last =

> > concert. It
> > was very well played by Jos=E9 Franch-Ballester on clarinet, Ani =

> > Aznavoorian
> > on cello and Warren Jones on piano. We recorded and shot one of the
> > concerts and it is now (as of today) up on youtube.
> >
> > Here's the link: http://youtu.be/l1QU3rOR4ek The performance is =

> > first-rate.
> > Please enjoy. There are a number of other really first-rate =

> > performances on
> > their youtube page as well.
> >
> > --Ben
> >
> > Benjamin Maas
> > Fifth Circle Audio
> > Long Beach, CA
> >
> >
> >
> > _______________________________________________
> > Klarinet mailing list
> > Klarinet@-----.com
> > To do darn near anything to your subscription, go to:
> > http://klarinet-list.serve-music.com
> =

> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] Been awhile since I've posted...
From:    patten51@-----.com
Date:    Fri, 24 Feb 2012 18:55:44 -0500

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Subject: Re: [kl] Status update on my son
From:    Joseph Rushton Wakeling <joseph.wakeling@-----.net>
Date:    Sun, 26 Feb 2012 14:30:40 -0500

On 12/02/12 23:50, Mark Charette wrote:
> As some of you old-timers know, I got involved with this list by asking a few questions to help my son [...]This coming week is his first big-time conducting gig. He'll be
conducting the Tokyo Philharmonic on a regional tour in Shizuoka, Japan
on Tuesday-Thursday of this coming week.

Fantastic!!  Many congratulations :-)

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Subject: Re: [kl] Status update on my son
From:    Mark Charette <charette@-----.org>
Date:    Sun, 26 Feb 2012 16:02:52 -0500

Thank you all for the good wishes for Steve.

And an update to the update ...

The concert went well, and Steve's now going to be working with maestro
Dan Ettinger. Steve will be the conductor for the summer Tokyo
Philharmonic "Family Orchestra", which is essentially a series of master
classes where 50 students are paired with a Tokyo Phil member for 7
sessions/rehearsals, with the eighth session  being a final concert
conducted by maestro Ettinger.

Mark C.

On 2/26/2012 2:30 PM, Joseph Rushton Wakeling wrote:
> On 12/02/12 23:50, Mark Charette wrote:
>> As some of you old-timers know, I got involved with this list by asking a few questions to help my son [...]This coming week is his first big-time conducting gig. He'll be
> conducting the Tokyo Philharmonic on a regional tour in Shizuoka, Japan
> on Tuesday-Thursday of this coming week.
>
> Fantastic!!  Many congratulations :-)
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Subject: Re: [kl] =?iso-8859-1?q?Status_update_on_my_son?=
From:    "=?iso-8859-1?Q?sarah=20elbaz?=" <sarah@-----.com>
Date:    Sun, 26 Feb 2012 22:38:32 -0500

I didn't know that Danny is the conductor of Tokyo Phil.  WOW.  Good luck t=
o your son.
Sarah

>  -------Original Message-------
>  From: Mark Charette <charette@-----.org>
>  To: The Klarinet Mailing List <klarinet@-----.com>
>  Subject: Re: [kl] Status update on my son
>  Sent: 26 Feb '12 21:02
>  =

>  Thank you all for the good wishes for Steve.
>  =

>  And an update to the update ...
>  =

>  The concert went well, and Steve's now going to be working with maestro=
=A0=A0
>  Dan Ettinger. Steve will be the conductor for the summer Tokyo
>  Philharmonic "Family Orchestra", which is essentially a series of master
>  classes where 50 students are paired with a Tokyo Phil member for 7
>  sessions/rehearsals, with the eighth session=A0=A0being a final concert
>  conducted by maestro Ettinger.
>  =

>  Mark C.
>  =

>  On 2/26/2012 2:30 PM, Joseph Rushton Wakeling wrote:
>  > On 12/02/12 23:50, Mark Charette wrote:
>  >> As some of you old-timers know, I got involved with this list by aski=
ng a few questions to help my son [...]This coming week is his first big-ti=
me conducting gig. He'll be
>  > conducting the Tokyo Philharmonic on a regional tour in Shizuoka, Japan
>  > on Tuesday-Thursday of this coming week.
>  >
>  > Fantastic!!=A0=A0Many congratulations :-)
>  _______________________________________________
>  Klarinet mailing list
>  Klarinet@-----.com
>  To do darn near anything to your subscription, go to:
>  http://klarinet-list.serve-music.com
>  =

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Subject: Re: [kl] Status update on my son
From:    hns692@-----.com
Date:    Sun, 26 Feb 2012 23:57:42 -0500

Did any of the Shizouka tour get recorded and posted to You Tube?  It
would be fun for all of us to see/hear --- especially you, I'm sure.

Lee Ann Hansen
Sousa Band

In a message dated 2/26/2012 3:02:27 P.M. Central Standard Time,
charette@-----.org writes:

Thank  you all for the good wishes for Steve.

And an update to the update  ...

The concert went well, and Steve's now going to be working with  maestro
Dan Ettinger. Steve will be the conductor for the summer  Tokyo
Philharmonic "Family Orchestra", which is essentially a series of  master
classes where 50 students are paired with a Tokyo Phil member for 7
sessions/rehearsals, with the eighth session  being a final concert
conducted by maestro Ettinger.

Mark C.

On 2/26/2012 2:30 PM,  Joseph Rushton Wakeling wrote:
> On 12/02/12 23:50, Mark Charette  wrote:
>> As some of you old-timers know, I got involved with this  list by asking
a few questions to help my son [...]This coming week is his  first big-time
conducting gig. He'll be
> conducting the Tokyo  Philharmonic on a regional tour in Shizuoka, Japan
> on Tuesday-Thursday  of this coming week.
>
> Fantastic!!  Many congratulations  :-)
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http://klarinet-list.serve-music.com

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Subject: Re: [kl] Status update on my son
From:    Mark Charette <charette@-----.org>
Date:    Mon, 27 Feb 2012 06:50:05 -0500

Not to my knowledge. :-(

On Feb 26, 2012, at 23:57, hns692@-----.com wrote:

> Did any of the Shizouka tour get recorded and posted to You Tube?  It
> would be fun for all of us to see/hear --- especially you, I'm sure.
>
> Lee Ann Hansen
> Sousa Band
>
>
> In a message dated 2/26/2012 3:02:27 P.M. Central Standard Time,
> charette@-----.org writes:
>
> Thank  you all for the good wishes for Steve.
>
> And an update to the update  ...
>
> The concert went well, and Steve's now going to be working with  maestro
> Dan Ettinger. Steve will be the conductor for the summer  Tokyo
> Philharmonic "Family Orchestra", which is essentially a series of  master
> classes where 50 students are paired with a Tokyo Phil member for 7
> sessions/rehearsals, with the eighth session  being a final concert
> conducted by maestro Ettinger.
>
> Mark C.
>
> On 2/26/2012 2:30 PM,  Joseph Rushton Wakeling wrote:
>> On 12/02/12 23:50, Mark Charette  wrote:
>>> As some of you old-timers know, I got involved with this  list by asking
> a few questions to help my son [...]This coming week is his  first big-time
> conducting gig. He'll be
>> conducting the Tokyo  Philharmonic on a regional tour in Shizuoka, Japan
>> on Tuesday-Thursday  of this coming week.
>>
>> Fantastic!!  Many congratulations  :-)
> _______________________________________________
> Klarinet mailing  list
> Klarinet@-----.com
> To do darn near anything to your  subscription, go  to:
> http://klarinet-list.serve-music.com
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
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Subject: Re: [kl] Status update on my son
From:    "Forest Aten" <forestaten@-----.com>
Date:    Mon, 27 Feb 2012 22:57:38 -0500

Just really, really good news. Congrats...

>
> Thank you all for the good wishes for Steve.
>
> And an update to the update ...
>

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Subject: [kl] 1999 recoredings
From:    Kathy Williams-DeVries <brisbaneclarinettist@-----.com>
Date:    Tue, 28 Feb 2012 02:24:48 -0500

It may interest some to listen to some recordings of my hey day in 1999.
Featured are the Hillandale Waltzes, and the Mozart and Copland Concertos.

http://youtu.be/PUQYmiDrqZo

http://youtu.be/8hp-kqkS8GU

http://youtu.be/D1DuZ7EVbyQ

Kathy
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Subject: [kl] George Dazeley
From:    "michael bryant" <michaelbryant@-----.net>
Date:    Tue, 28 Feb 2012 04:33:41 -0500

Those list members who requested copies of George Dazeley's study of
Mozart's Clarinet Concerto may also be interested to know who he was. Other
pioneers in the field include Michael Whewell, Ernst Hess, Pamela Poulin,
Milan Kostohryz,  Jiri Kratochvil, Alan Hacker, Ted Planas and Hans Rudolf
Stalder, all better known or remembered than George Dazeley.  In some cases
he was misremembered. Alan Hacker refers to him as the 'late' George Dazeley
three years before he died in his Schott edition of the concerto in 1974. In
Jack Brymer's book on the clarinet in 1976 (p 36) he was said to an
American; nothing wrong with that. My notes have reached  ~1000 words, based
on enquiries made in the last few weeks. The resulting illustrated Word.doc
file is available on request by direct mailing. Here is a short summary,
which may suffice, with apologies for some overlapping information:

Dr George Dazeley (1914-1977) was an organic chemist and in charge of the
science department at Rugby School. He was a man of many interests; fungi,
hill walking, geology, drama production, refereeing hockey. Music was at the
irreducible core of his activities. He appeared as a baritone soloist at a
professional level and played the clarinet and bassoon. In 1948 he
published, with visionary insight, a pioneering study of Mozart's Clarinet
Concerto proposing the use of the basset clarinet extended to low C, based
on internal evidence alone, proved to be largely correct by later
discoveries.

MB

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Klarinet@-----.com
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Subject: Re: [kl] George Dazeley
From:    "Doug Potter" <doug@-----.net>
Date:    Tue, 28 Feb 2012 10:49:09 -0500

Mark, could these be made available on the web site?

Doug
http://ConicWave.net

-----Original Message-----
From: michael bryant [mailto:michaelbryant@-----.net]
Sent: Tuesday, February 28, 2012 1:34 AM
To: klarinet@-----.com
Subject: [kl] George Dazeley

Those list members who requested copies of George Dazeley's study of
Mozart's Clarinet Concerto may also be interested to know who he was. Other
pioneers in the field include Michael Whewell, Ernst Hess, Pamela Poulin,
Milan Kostohryz,  Jiri Kratochvil, Alan Hacker, Ted Planas and Hans Rudolf
Stalder, all better known or remembered than George Dazeley.  In some cases
he was misremembered. Alan Hacker refers to him as the 'late' George Dazeley
three years before he died in his Schott edition of the concerto in 1974. In
Jack Brymer's book on the clarinet in 1976 (p 36) he was said to an
American; nothing wrong with that. My notes have reached  ~1000 words, based
on enquiries made in the last few weeks. The resulting illustrated Word.doc
file is available on request by direct mailing. Here is a short summary,
which may suffice, with apologies for some overlapping information:

Dr George Dazeley (1914-1977) was an organic chemist and in charge of the
science department at Rugby School. He was a man of many interests; fungi,
hill walking, geology, drama production, refereeing hockey. Music was at the
irreducible core of his activities. He appeared as a baritone soloist at a
professional level and played the clarinet and bassoon. In 1948 he
published, with visionary insight, a pioneering study of Mozart's Clarinet
Concerto proposing the use of the basset clarinet extended to low C, based
on internal evidence alone, proved to be largely correct by later
discoveries.

MB

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com

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Klarinet@-----.com
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Subject: Re: [kl] George Dazeley
From:    Mark Charette <charette@-----.org>
Date:    Tue, 28 Feb 2012 12:59:11 -0500

All posts are already searchable & online on the web site.

On February 28, 2012 at 10:49 AM Doug Potter <doug@-----.net> wrote:

> Mark, could these be made available on the web site?
>
> Doug
> http://ConicWave.net
>
> -----Original Message-----
> From: michael bryant [mailto:michaelbryant@-----.net]
> Sent: Tuesday, February 28, 2012 1:34 AM
> To: klarinet@-----.com
> Subject: [kl] George Dazeley
>
> Those list members who requested copies of George Dazeley's study of
> Mozart's Clarinet Concerto may also be interested to know who he was.
Other
> pioneers in the field include Michael Whewell, Ernst Hess, Pamela Poulin,
> Milan Kostohryz,  Jiri Kratochvil, Alan Hacker, Ted Planas and Hans
Rudolf
> Stalder, all better known or remembered than George Dazeley.  In some
cases
> he was misremembered. Alan Hacker refers to him as the 'late' George
Dazeley
> three years before he died in his Schott edition of the concerto in 1974.
In
> Jack Brymer's book on the clarinet in 1976 (p 36) he was said to an
> American; nothing wrong with that. My notes have reached  ~1000 words,
based
> on enquiries made in the last few weeks. The resulting illustrated
Word.doc
> file is available on request by direct mailing. Here is a short summary,
> which may suffice, with apologies for some overlapping information:
>
> Dr George Dazeley (1914-1977) was an organic chemist and in charge of the
> science department at Rugby School. He was a man of many interests;
fungi,
> hill walking, geology, drama production, refereeing hockey. Music was at
the
> irreducible core of his activities. He appeared as a baritone soloist at
a
> professional level and played the clarinet and bassoon. In 1948 he
> published, with visionary insight, a pioneering study of Mozart's
Clarinet
> Concerto proposing the use of the basset clarinet extended to low C,
based
> on internal evidence alone, proved to be largely correct by later
> discoveries.
>
> MB
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
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Subject: Re: [kl] George Dazeley
From:    Mark Charette <charette@-----.org>
Date:    Tue, 28 Feb 2012 13:00:09 -0500

If you're thinking of the "Word" doc, I could put that up if Michael allows
it.

On February 28, 2012 at 10:49 AM Doug Potter <doug@-----.net> wrote:

> Mark, could these be made available on the web site?
>
> Doug
> http://ConicWave.net
>
> -----Original Message-----
> From: michael bryant [mailto:michaelbryant@-----.net]
> Sent: Tuesday, February 28, 2012 1:34 AM
> To: klarinet@-----.com
> Subject: [kl] George Dazeley
>
> Those list members who requested copies of George Dazeley's study of
> Mozart's Clarinet Concerto may also be interested to know who he was.
Other
> pioneers in the field include Michael Whewell, Ernst Hess, Pamela Poulin,
> Milan Kostohryz,  Jiri Kratochvil, Alan Hacker, Ted Planas and Hans
Rudolf
> Stalder, all better known or remembered than George Dazeley.  In some
cases
> he was misremembered. Alan Hacker refers to him as the 'late' George
Dazeley
> three years before he died in his Schott edition of the concerto in 1974.
In
> Jack Brymer's book on the clarinet in 1976 (p 36) he was said to an
> American; nothing wrong with that. My notes have reached  ~1000 words,
based
> on enquiries made in the last few weeks. The resulting illustrated
Word.doc
> file is available on request by direct mailing. Here is a short summary,
> which may suffice, with apologies for some overlapping information:
>
> Dr George Dazeley (1914-1977) was an organic chemist and in charge of the
> science department at Rugby School. He was a man of many interests;
fungi,
> hill walking, geology, drama production, refereeing hockey. Music was at
the
> irreducible core of his activities. He appeared as a baritone soloist at
a
> professional level and played the clarinet and bassoon. In 1948 he
> published, with visionary insight, a pioneering study of Mozart's
Clarinet
> Concerto proposing the use of the basset clarinet extended to low C,
based
> on internal evidence alone, proved to be largely correct by later
> discoveries.
>
> MB
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: [kl] Harold Wright Memorial Clarinet Merit Award Competition THIS
From:    Jonathan Cohler <cohler@-----.org>
Date:    Tue, 28 Feb 2012 13:03:38 -0500

There is still time to sign up for the Boston Woodwind Society Clarinet
Merit Award Competition this Saturday, March 3!

- The Boston Woodwind Society (http://www.boswinds.org/) announces its
annual Harold Wright Memorial Clarinet Merit Award Competition, which wi=
ll
take place on Saturday, March 3, 2012 starting at 2:00 PM.

To register go to:
=95 http://www.boswinds.org/regisFormClarinet.html

The competition honors the memory and artistry of former Boston Symphony
Orchestra principal clarinetist Harold Wright.

Recipients of this award will receive a prize of ONE THOUSAND DOLLARS
($1,000) and will perform in a concert later in the month as a member of
the BWS Merit Award Quartet, which will be made up of four of our award
recipients. The concert will feature the world premiere of a new work by
American composer Andrew List, which has been commissioned by the Boston
Woodwind Society expressly for this occasion.

Registrations end on March 1 or as soon as all audition times have been
filled.

BWS Merit Award Competitions are open to all instrumentalists of age 18
to 30 regardless of race, creed, or gender. Contestants are required to
play a solo piece of their choice and must provide a piano accompanist. =
No
unaccompanied works will be considered.

Auditions are held in Room 165 at Boston University School of Music, 855
Commonwealth Avenue, Boston, MA 02215.

Jonathan Cohler
Artistic Director
International Woodwind Festival
http://iwwf.org/
cohler@-----.org
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Subject: Re: [kl] George Dazeley
From:    "Doug Potter" <doug@-----.net>
Date:    Tue, 28 Feb 2012 13:33:04 -0500

Both the Dazeley paper and these notes by Michael.

-----Original Message-----
From: Mark Charette [mailto:charette@-----.org]
Sent: Tuesday, February 28, 2012 10:00 AM
To: The Klarinet Mailing List
Subject: Re: [kl] George Dazeley

If you're thinking of the "Word" doc, I could put that up if Michael allows
it.

On February 28, 2012 at 10:49 AM Doug Potter <doug@-----.net> wrote:

> Mark, could these be made available on the web site?
>
> Doug
> http://ConicWave.net
>
> -----Original Message-----
> From: michael bryant [mailto:michaelbryant@-----.net]
> Sent: Tuesday, February 28, 2012 1:34 AM
> To: klarinet@-----.com
> Subject: [kl] George Dazeley
>
> Those list members who requested copies of George Dazeley's study of
> Mozart's Clarinet Concerto may also be interested to know who he was.
Other
> pioneers in the field include Michael Whewell, Ernst Hess, Pamela
> Poulin, Milan Kostohryz,  Jiri Kratochvil, Alan Hacker, Ted Planas and
> Hans
Rudolf
> Stalder, all better known or remembered than George Dazeley.  In some
cases
> he was misremembered. Alan Hacker refers to him as the 'late' George
Dazeley
> three years before he died in his Schott edition of the concerto in 1974.
In
> Jack Brymer's book on the clarinet in 1976 (p 36) he was said to an
> American; nothing wrong with that. My notes have reached  ~1000 words,
based
> on enquiries made in the last few weeks. The resulting illustrated
Word.doc
> file is available on request by direct mailing. Here is a short
> summary, which may suffice, with apologies for some overlapping
information:
>
> Dr George Dazeley (1914-1977) was an organic chemist and in charge of
> the science department at Rugby School. He was a man of many
> interests;
fungi,
> hill walking, geology, drama production, refereeing hockey. Music was
> at
the
> irreducible core of his activities. He appeared as a baritone soloist
> at
a
> professional level and played the clarinet and bassoon. In 1948 he
> published, with visionary insight, a pioneering study of Mozart's
Clarinet
> Concerto proposing the use of the basset clarinet extended to low C,
based
> on internal evidence alone, proved to be largely correct by later
> discoveries.
>
> MB
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
>
> _______________________________________________
> Klarinet mailing list
> Klarinet@-----.com
> To do darn near anything to your subscription, go to:
> http://klarinet-list.serve-music.com
_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com

_______________________________________________
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Klarinet@-----.com
To do darn near anything to your subscription, go to:
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Subject: [kl] IWWF 2012: Featuring Fuchs, Cohler, Montilla & Doggett
From:    Jonathan Cohler <cohler@-----.org>
Date:    Tue, 28 Feb 2012 13:55:17 -0500

International Woodwind Festival 2012
July 15 to 22, 2012
Central College, Pella, Iowa
APPLY ONLINE NOW! (http://iwwf.org/)

CLARINET FACULTY

=95 Jonathan Cohler (Soloist, Conductor, Boston, MA)
=95 Cynthia Doggett (Associate Professor of Music, Central College, Pella, =
IA)
=95 Wenzel Fuchs (Principal Clarinet, Berlin Philharmonic Orchestra)
=95 Jorge Montilla (Simon Bolivar Orchestra)

DESCRIPTION

=95 Spend one intense week of music making including masterclasses, private
lessons, chamber music coaching and performing. Study with and hear live
performances by some of the top clarinetists in the world. IWWF 2012 takes
place on the campus of Central College in picturesque Pella, Iowa.

=95 There are two TUITION levels: Full ($1000) and Auditor* ($300). Financi=
al
aid is available for Full Tuition students only. Daily auditor passes are
also available for $75 per day.

=95 ROOM AND BOARD including 3 meals per day as well as single-occupancy,
air-conditioned rooms with linens is $550 for the 7 nights of the festival.

=95 TRANSPORTATION from and back to the Des Moines airport will be provided.

=95 The AGE RANGE of participants is 15 and older. Participants include
students, amateurs and professionals from all over the world.

=95 If you love the clarinet, and want to have a once-in-a-lifetime
opportunity to have an intensive study experience and enjoy performances by
some of the best clarinetists in the world, IWWF is for you.

(Auditors do not receive private lessons nor play in masterclasses, but
they can observe all masterclasses and concerts.)

EACH STUDENT GETS

=95 3 Private Lessons
=95 3 Masterclass Performances
=95 3 Rehearsals with pianists
=95 2 Masterclasses per day
=95 5 Faculty Concerts
=95 Chamber Music Coaching
=95 Professional Pianists for rehearsals, masterclasses and performances

OTHER BENEFITS INCLUDE

=95 Student Performances
=95 Young Artists Competition
=95 Instrument Repair Clinic
=95 Group Outing to Red Rock Lake
=95 Socialize with Faculty daily

PIANO
=95 Shizue Sano
=95 others TBA

SPACE IS LIMITED SO APPLY NOW!

If you have any questions, email cohler@-----.

PREVIOUS FACULTY

=95 Henri Bok
=95 Alessandro Carbonare
=95 Philippe Cuper
=95 Ricardo Morales
=95 Charles Neidich
=95 Jessica Phillips
=95 Valdemar Rodriguez
=95 Luis Rossi
=95 Robert Spring
=95 Eddy Vanoosthuyse

----------
Jonathan Cohler
Artistic Director
International Woodwind Festival
http://iwwf.org/
cohler@-----.org
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Subject: Re: [kl] George Dazeley
From:    "michael bryant" <michaelbryant@-----.net>
Date:    Tue, 28 Feb 2012 13:58:19 -0500

Thank you, Mark-san, I shall be very pleased to accept your offer, but
having 'finished' it, and read it again, I discover that I am still editing,
modifying, adding bits, it keeps growing. I hope it will settle down
tomorrow. For example I have added the subject of his doctorate, his
appearances with the Chelsea Opera Group, the Bellocian parody about his
bassoon playing, and short account of the funeral. All will be revealed,
almost. You will not believe that he had a basset hound called Corno
until you have seen the photograph.
M

----- Original Message -----
Sent: Tuesday, February 28, 2012 6:00 PM
Subject: Re: [kl] George Dazeley
> If you're thinking of the "Word" doc, I could put that up if Michael
> allows
> it.
>
> On February 28, 2012 at 10:49 AM Doug Potter <doug@-----.net> wrote:
>> Mark, could these be made available on the web site?
>> Doug
>> http://ConicWave.net

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
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Subject: [kl] The American Chamber Ensemble in Concert on March 4 at Hofstra
From:    Jeffrey James <jamesarts@-----.net>
Date:    Tue, 28 Feb 2012 18:09:32 -0500

February 28, 2012
For Immediate Release
Contact: Jeffrey James Arts Consulting
516-586-3433 or jamesarts@-----.net

The American Chamber Ensemble in Concert on March 4 at Hofstra =

University in Hempstead, New York

The American Chamber Ensemble will perform the second concert of their =

2011-2012 season on Sunday, March 4 - 3 PM at Monroe Lecture Center =

Theater of Hofstra University, on California Avenue in Hempstead, N.Y. =

This event is presented by the Music Department of Hofstra University.

Repertoire for this concert will be Quartet for piano and strings by =

Carlos Surinach, Sonata for two clarinets and piano by Gary Schocker, =

Pastorale for clarinet and piano by Elliott Carter, American Pieces for =

violin and piano by Lukas Foss, A Little Bit for viola and clarinet by =

Meyer Kupferman and Quartet for clarinet and strings by Howard Boatwright.

Performers will be ACE Directors Naomi Drucker (clarinet), Blanche Abram =

(piano) and Marilyn Lehman (piano), with violinist Eriko Sato, violist =

Lois Martin and cellist Chris Finckel.

Special guest will be clarinetist Stanley Drucker.

Tickets at Hofstra University Box Office - $15 ($12 senior citizens 65+ =

and non-Hofstra students). One free ticket with current Hofstra Card. =

For ticket information, call 516-463-6644.

Directions to Hofstra at =

http://www.hofstra.edu/visitors/visitors_info_dirmaps.html. Public =

transit information at =

http://tripplanner.mta.info/MyTrip/ui_web/customplanner/tripplanner.aspx. =

All ACE concerts are ADA accessible.

The American Chamber Ensemble explores the great chamber music =

literature for clarinet and piano in combination with strings, woodwinds =

and voice and presents performances featuring world-class artists. ACE =

consists of the finest freelance musicians in the New York area and has =

been cited by critics for their superb presentations of chamber =

masterworks. Their latest CDs on Elysium are American Clarinet =

Treasures, with Guest Artist Stanley Drucker and The American Chamber =

Ensemble Plays Peter Schickele, which features five of this modern =

master=92s chamber works. For the latest ACE concert listings, updates and =

information, logon to their new website =96 =

http://www.americanchamberensemble.com/. Join their Facebook page at =

http://www.facebook.com/pages/American-Chamber-Ensemble/150032171984.

ACE concerts are made possible by the New York State Council on the =

Arts, with the support of Governor Andrew Cuomo and the New York State =

Legislature, and by private contributions.

For press inquiries, photos or more information about the American =

Chamber Ensemble, please call Jeffrey James Arts Consulting at =

516-586-3433 or email them at jamesarts@-----.

-30-

-- =

Jeffrey James Arts Consulting
4Tay Records & ClassicalCDs.net
45 Grant Avenue
Farmingdale, NY 11735 USA
Tel: 516-586-3433
E-mail: jamesarts@-----.net
Website: http://www.jamesarts.com
JamesArts Radio - http://songza.com/listen/jj-radio
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Subject: [kl] Survey on clarinet vibrato.
From:    Josu Izco Escribano <chico-ostra@-----.com>
Date:    Tue, 28 Feb 2012 19:17:49 -0500


Hi everyone.

My name is Josu Izco. I am a clarinet student of Spain, and this year Im finishing my superior studies in Musikene High Conservatory (Basque Country).

I am currently doing a research on the use of vibrato on the clarinet. With this,im not trying to make an attack or a defense on its use, but just trying to collect all the information possible about and offer different views on the matter. I think this is a very interesting topic on which there is not much written.

To achieve this, I created a global survey for all the clarinetists (professionals, students or amateurs) everywhere with different questions respect to the subject. It is an anonymous survey and a researcher desire. The survey is adapted both for the one that does use of vibrato and the one who never does. This is very important, because all opinions are equally valid and necessary.
I tried not to make  a long or heavy survey; and there is no the obligation to write anything; you can just choose between the different answers (or write your own).
Therefore I would appreciate very much that you could fill the questionnaire whenever you can (not to late if possible).

Of course, I will send the results as soon as i have them available;
I think it might be interesting for everyone if this gets successful and I get a good number of responses.
I have the survey also in spanish if someone prefers it.
Links:
English:
http://survey.2ask.net/d6dac7803b34dee8/survey.html?l=en
Spanish:
http://survey.2ask.net/d6dac7803b34dee8/survey.html?l=es

Thank you very much to all in advance. I welcome your answers; i will really appreciate your interest.
Greetings.
_______________________________________________
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Subject: Re: [kl] George Dazeley
From:    "Doug Potter" <doug@-----.net>
Date:    Wed, 29 Feb 2012 13:22:47 -0500

But in the meantime, we could have the Dazeley paper online.

Doug
http://ConicWave.net

-----Original Message-----
From: michael bryant [mailto:michaelbryant@-----.net]
Sent: Tuesday, February 28, 2012 10:58 AM
To: The Klarinet Mailing List
Subject: Re: [kl] George Dazeley

Thank you, Mark-san, I shall be very pleased to accept your offer, but
having 'finished' it, and read it again, I discover that I am still editing,
modifying, adding bits, it keeps growing. I hope it will settle down
tomorrow. For example I have added the subject of his doctorate, his
appearances with the Chelsea Opera Group, the Bellocian parody about his
bassoon playing, and short account of the funeral. All will be revealed,
almost. You will not believe that he had a basset hound called Corno until
you have seen the photograph.
M

----- Original Message -----
Sent: Tuesday, February 28, 2012 6:00 PM
Subject: Re: [kl] George Dazeley
> If you're thinking of the "Word" doc, I could put that up if Michael
> allows it.
>
> On February 28, 2012 at 10:49 AM Doug Potter <doug@-----.net> wrote:
>> Mark, could these be made available on the web site?
>> Doug
>> http://ConicWave.net

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com

_______________________________________________
Klarinet mailing list
Klarinet@-----.com
To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com


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Subject: Re: [kl] George Dazeley
From:    "michael bryant" <michaelbryant@-----.net>
Date:    Wed, 29 Feb 2012 20:28:29 -0500

I searched for it and failed. If you have a location, I would be pleased to
know it. I only found some of the results of his research into Benzene and
its derivatives.
Thanks,
M

----- Original Message -----
Sent: Wednesday, February 29, 2012 6:22 PM
Subject: Re: [kl] George Dazeley

> But in the meantime, we could have the Dazeley paper online.
>
> Doug
> http://ConicWave.net

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Klarinet@-----.com
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Subject: [kl] Rumba Thumb support
From:    Janice Rosen <operanut@-----.com>
Date:    Thu, 01 Mar 2012 22:20:29 -0500

Have any of you ever tried a =

Rumba Thumb Support NC75170

See link:

=

http://www.ncmedical.com/item_1284.html

A friend of mine asked a sports therapist who also plays clarinet once in a=
while as a hobby about my problem with holding the clarinet with the right=
thumb and the sports therapist suggested the Rumba Thumb Support.=A0=A0 =

Before I spend money on it, I thought I would check and see if anyone uses =
it.=A0 To me it looks like a splint and would keep the right thumb complete=
ly immobile.=A0 I don't think that is what I should be doing while playing =
the instrument.=A0 =

Janice Rosen
Washington, DC
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Subject: Re: [kl] Rumba Thumb support
From:    Gary Van Cott <gary@-----.com>
Date:    Thu, 01 Mar 2012 22:57:42 -0500

A friend of mine uses something like this and it doesn't cause him any
problems.

Gary

+---------------------------------------------------------------------
|  Gary Van Cott - Van Cott Information Services, Inc.
|  Woodwind and Brass: Books, Music, CDs and More
|  http://www.vcisinc.com/  --> VISA MasterCard Discover AmExp <--
|  P.O. Box 9569, Las Vegas, NV 89191, USA
|  Phone: 702-438-2102 Fax: 801-650-1719  Email: Gary@-----.com
|  Become a VCIS Inc Facebook fan: http://traceurl.com/rdS?r=6185&l=34
+---------------------------------------------------------------------

On 3/1/2012 7:20 PM, Janice Rosen wrote:
> Have any of you ever tried a
>
> Rumba Thumb Support NC75170
>
> See link:
>
>
> http://www.ncmedical.com/item_1284.html
>
>
> A friend of mine asked a sports therapist who also plays clarinet once in a while as a hobby about my problem with holding the clarinet with the right thumb and the sports therapist suggested the Rumba Thumb Support.
>
> Before I spend money on it, I thought I would check and see if anyone uses it.  To me it looks like a splint and would keep the right thumb completely immobile.  I don't think that is what I should be doing while playing the instrument.
>
>
> Janice Rosen
> Washington, DC

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Subject: Re: [kl] Status update on my son
From:    Garrett Fitzgerald <sarekofvulcan@-----.com>
Date:    Fri, 02 Mar 2012 08:59:19 -0500

On Sun, Feb 12, 2012 at 20:09, Bill Hausmann <bhausmann1@-----.net> wrote:

> Wow!  Congratulations on a job well done!  (By him AND you!)
>

Indeed. :-)

If you have to mic a saxophone, the rest of the band is TOO LOUD!

And if you tell the band to play softer so you can hear 3 trombones play "O
Come All Ye Faithful" in Anderson's "A Christmas Festival", somebody's
doing something wrong... :-)
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Subject: [kl] Vol 25, Issue 2 Set it on your Leg
From:    "Mike Vaccaro" <mike@-----.com>
Date:    Fri, 02 Mar 2012 13:29:17 -0500

It seems if you are having so much trouble with your thumb it would be
simpler to just set the clarinet on your leg   I know that might be
considered sacrilege but many clarinetists do it. If the middle B and low E
sound covered you can just lift the clarinet for that note.

Mike Vaccaro

Hi Janice.

-----Original Message-----
From: klarinet-request@-----.com
[mailto:klarinet-request@-----.com]
Sent: Friday, March 02, 2012 9:00 AM
To: klarinet@-----.com
Subject: Klarinet Digest, Vol 25, Issue 2

Send Klarinet mailing list submissions to
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Klarinet digest..."

Today's Topics:

1. Rumba Thumb support (Janice Rosen)
2. Re: Rumba Thumb support (Gary Van Cott)
3. Re: Status update on my son (Garrett Fitzgerald)

----------------------------------------------------------------------

Message: 1
Date: Thu, 1 Mar 2012 19:20:29 -0800 (PST)
From: Janice Rosen <operanut@-----.com>
Subject: [kl] Rumba Thumb support
To: Clarinet List <Klarinet@-----.com>
Message-ID:
<1330658429.9891.YahooMailNeo@-----.com>
Content-Type: text/plain; charset=iso-8859-1

Have any of you ever tried a

Rumba Thumb Support NC75170

See link:

http://www.ncmedical.com/item_1284.html

A friend of mine asked a sports therapist who also plays clarinet once in a
while as a hobby about my problem with holding the clarinet with the right
thumb and the sports therapist suggested the Rumba Thumb Support.??

Before I spend money on it, I thought I would check and see if anyone uses
it.? To me it looks like a splint and would keep the right thumb completely
immobile.? I don't think that is what I should be doing while playing the
instrument.?

Janice Rosen
Washington, DC

------------------------------

Message: 2
Date: Thu, 01 Mar 2012 19:57:42 -0800
From: Gary Van Cott <gary@-----.com>
Subject: Re: [kl] Rumba Thumb support
To: The Klarinet Mailing List <klarinet@-----.com>
Message-ID: <4F504536.90807@-----.com>
Content-Type: text/plain; charset=ISO-8859-1

A friend of mine uses something like this and it doesn't cause him any
problems.

Gary

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On 3/1/2012 7:20 PM, Janice Rosen wrote:
> Have any of you ever tried a
>
> Rumba Thumb Support NC75170
>
> See link:
>
>
> http://www.ncmedical.com/item_1284.html
>
>
> A friend of mine asked a sports therapist who also plays clarinet once in
a while as a hobby about my problem with holding the clarinet with the right
thumb and the sports therapist suggested the Rumba Thumb Support.
>
> Before I spend money on it, I thought I would check and see if anyone uses
it.  To me it looks like a splint and would keep the right thumb completely
immobile.  I don't think that is what I should be doing while playing the
instrument.
>
>
> Janice Rosen
> Washington, DC

------------------------------

Message: 3
Date: Fri, 2 Mar 2012 08:59:19 -0500
From: Garrett Fitzgerald <sarekofvulcan@-----.com>
Subject: Re: [kl] Status update on my son
To: The Klarinet Mailing List <klarinet@-----.com>
Message-ID:
<CAGd8MreHRuUuR-ZJb=_E62J3ZF7gq32T2SWipu4r0YnSufxy_Q@-----.com>
Content-Type: text/plain; charset=ISO-8859-1

On Sun, Feb 12, 2012 at 20:09, Bill Hausmann <bhausmann1@-----.net> wrote:

> Wow!  Congratulations on a job well done!  (By him AND you!)
>

Indeed. :-)

If you have to mic a saxophone, the rest of the band is TOO LOUD!

And if you tell the band to play softer so you can hear 3 trombones play "O
Come All Ye Faithful" in Anderson's "A Christmas Festival", somebody's doing
something wrong... :-)

------------------------------

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To do darn near anything to your subscription, go to:
http://klarinet-list.serve-music.com

End of Klarinet Digest, Vol 25, Issue 2
***************************************

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Subject: Re: [kl] Status update on my son
From:    "Bill Hausmann" <bhausmann1@-----.net>
Date:    Fri, 02 Mar 2012 20:59:13 -0500

The last time I conducted Christmas Festival, I believe I told the trombones
"You cannot make too much" of that line.

Bill Hausmann

If you have to mic a saxophone, the rest of the band is TOO LOUD!

> -----Original Message-----
> From: Garrett Fitzgerald [mailto:sarekofvulcan@-----.com]
> Sent: Friday, March 02, 2012 7:59 AM
> To: The Klarinet Mailing List
> Subject: Re: [kl] Status update on my son
>
> On Sun, Feb 12, 2012 at 20:09, Bill Hausmann <bhausmann1@-----.net>
> wrote:
>
> > Wow!  Congratulations on a job well done!  (By him AND you!)
> >
>
> Indeed. :-)
>
> If you have to mic a saxophone, the rest of the band is TOO LOUD!
>
>
> And if you tell the band to play softer so you can hear 3 trombones
> play "O Come All Ye Faithful" in Anderson's "A Christmas Festival",
> somebody's doing something wrong... :-)

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